Eye of the Warrior
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Erlebnisse Eines Erdenbummlers
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Love is: not having to hold back . . . but will she ever truly let him in?
Avantika is an investment banker, an ambitious go-getter and the exact opposite of Deb-a corporate professional turned failed writer, turned scripter of saas-bahu serials.
They’ve been together for ten years, surviving rave parties, college and annoying best friends, including Shrey, who has no respect for personal boundaries, and Vernita and Tanmay-the enviable and annoying ‘it’ couple who seem to have it all.
And marriage. But now, Avantika wants to take the next step. Will Deb be able to catch up? Or will it rip them apart? As much as he might try to prove that he’s the one for her, Deb is still not good enough. Not as long as Avantika is broken and her past looms in the background-pushing her, troubling her, goading her to question if their love is enough.
Will Deb be able to find their perfect place?
The Perfect Us is love’s struggle to find the happily ever after. . .
Prem Bedi is the ‘Mogul’ – the third richest man in the country. He commands both fear and respect, and at fifty-three, he still looks handsome and aristocratic. But Bedi’s smoothly run empire comes to a screeching halt when he’s accused of killing his ex-wife and her husband, and dragged into a court battle. The ever-present spotlight on him grows brighter and harsher, and the questions grow louder – ‘Did he do it?’ A story unfolding through several different perspectives, The Mogul is howdunnit set in the fractured world of power, money and crime.
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Who says you can’t run away from your problems? You are a failed novelist about to turn fifty. A wedding invitation arrives in the mail: your boyfriend of the past nine years is engaged to someone else. You can’t say yes–it would be too awkward–and you can’t say no–it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world.
QUESTION How do you arrange to skip town?
ANSWER You accept them all.
What would possibly go wrong? Arthur Less will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Saharan sandstorm, accidentally book himself as the (only) writer-in-residence at a Christian Retreat Center in Southern India and encounter, on a desert island in the Arabian Sea, the last person on Earth he wants to face. Somewhere in there: he will turn fifty. Through it all, there is his first love. And there is his last.
Because, despite all these mishaps, missteps, misunderstandings and mistakes, Less is, above all, a love story.
A scintillating satire of the American abroad, a rumination on time and the human heart, a bittersweet romance of chances lost, by an author The New York Times has hailed as “inspired, lyrical,” “elegiac,” “ingenious,” as well as “too sappy by half,” Less shows a writer at the peak of his talents raising the curtain on our shared human comedy.
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Massive armies of the Mughal empire and the allied kingdoms have been unleashed to crush the Maratha warrior who is about to set a dangerous precedent. What will happen when two of the biggest enemies in the history of Hindustan come face to face?
Aurangzeb has ascended to the throne in the North, leaving a trail of blood in his wake. His aim is to conquer the kingdoms of the Deccan and expand the great Mughal empire to include hitherto uncharted, rebellious territories. Unforgiving and relentless, he unleashes his violent rage against anyone who tries to tame his ambition.
Raja Shivaji, a jagirdar from the hills of western Deccan, dreams of Swaraj and has raised his sword against all those who stand between him and his goal. He wins and conquers, escapes death traps through masterful strategy, unrivalled courage and intelligence to become a force to reckon with-a thorn in Aurangzeb’s flesh.
Theirs is a battle of wit and might-one in which neither will give up.
Frontiers, a historical saga, brings to life the complex and ever-shifting dynamics between these two arch nemeses.
WINNER OF THE PULITZER PRIZE
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, a National Book Award finalist, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
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